"In Lu Jian Jun, China has produced an artist of imagination, a man with a distinctive and unquestionable mastery of his materials and a palpable insight into the human condition. Lu was born in 1960 in mainland China and from an early age demonstrated an uncanny ability to draw and paint. This eventually led to a degree at the Central Academy of Fine Arts, and finally a position as a professor at Shandong Academy of Painting. The level of technical training in traditional media and materials he received in China would have been virtually inaccessible (or simply impossible) in the West. The discipline, focus and intensity of such training is often compared to late 19th century Russian academicism. Professor Lu, for example, has an impressive familiarity with Russian academic figures such as Ilya Repin and his contemporaries. Russian cultural sources including Nabokov's Lolita or Tolstoy's Anna Karenina inform paintings such as XIAO ER of XIAN, an enigmatic meditation on innocence, love and sincerity, evoking a sentiment similar to these Russian literary giants. Still, the ethnicity of his models, real or imagined, as well as the textiles and props remain somehow incontrovertibly Chinese. In our observation, Dante Gabriel Rosetti and the pre-Raphaelite movement have influenced Lu most obviously in their brilliant use of imagery as allegory. Yet, while Rossetti filled his canvas with extraordinary and other worldly devises, Lu depicts objects of the common place which show signs of much use, family heirlooms, large jewelry in simple shapes, like the building blocks of a sculptor's maquette.
The American nineteenth century artists James MacNeill Whistler and John Singer Sargent also share a kinship with Lu. Certainly the women, such as the reclining figure in ANTIQUE DRESSING TABLE, reveal a sense of contemplation both relaxed and formal. Bold and provocative in her positioning JAPANESE PRINCESS is as timeless as Sargent's Madame X. Lu surpasses past masters with his great sensitivity in the placement and orientation of hands, feet and faces as echoed in paintings like CHINA QUEEN. This composition's highly textural use of palette knives makes the outskirts of this large canvas an abstract masterpiece, an achievement not dissimilar to Whistler's large Nocturnes or his At the Piano. The depth and complexity of emotion in these uncluttered masterpieces of the past and present are tremendously inviting to the imagination.
Razmisli dva puta pre nego što otvoriš usta [You must be registered and logged in to see this image.]
"Ako poezija treba da izražava osećanja, onda slikarstvo treba da provocira. Slika mora da podstakne na razmišljanje onoga ko je posmatra i da na njega ostavi utisak kao muzičko delo."
Juče u 1:29 od Emelie
» Domaći izvođači
Juče u 1:26 od Emelie
» Uživo...
Uto 14 Maj - 22:31 od Emelie
» A malo bluesa?
Uto 14 Maj - 22:26 od Emelie
» Šta slušate dok kuckate na Haossu?
Uto 14 Maj - 22:21 od Emelie
» Šta trenutno slušate?
Uto 14 Maj - 22:16 od Emelie
» Pozdrav Haossu
Uto 14 Maj - 22:11 od Emelie
» Tamburasi za srce i dusu
Pon 13 Maj - 1:36 od Emelie
» Ko je za kolce?
Ned 12 Maj - 23:58 od Emelie
» Čudni tekstovi,nasmej me :))
Ned 12 Maj - 23:51 od Emelie
» Kad žensko zapeva
Ned 12 Maj - 23:18 od Emelie
» Riječ koja počinje sa SI
Sub 11 Maj - 0:21 od ankianki
» Riječ koja počinje sa PRI
Sub 11 Maj - 0:16 od ankianki
» Nijedno slovo
Sub 11 Maj - 0:12 od ankianki
» Opiši smajlijem osobu iznad
Sub 11 Maj - 0:10 od ankianki
» Pogodite o čemu sada upravo razmišlja osoba iznad?
Sub 11 Maj - 0:08 od ankianki
» Reč koja u sebi sadrži slovo Z - azbuka
Sub 11 Maj - 0:05 od ankianki
» Reč koja u sebi sadrži slovo Č -azbuka
Sub 11 Maj - 0:02 od ankianki
» Reč koja u sebi sadrži K - azbuka
Pet 10 Maj - 23:59 od ankianki
» Azbuka zanimanja ,običnih ,neobičnih ,svih mogućih
Pet 10 Maj - 23:57 od ankianki