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 William Etty

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PočaljiNaslov: William Etty   Ned 22 Maj - 22:38

William Etty (10 March 1787 – 13 November 1849) was an English artist best known for his history paintings containing nude figures. He was the first significant British painter of nudes and still lifes. Born in York, he left school at the age of 12 to become an apprentice printer in Hull. He completed his apprenticeship seven years later and moved to London, where in 1807 he joined the Royal Academy Schools. There he studied under Thomas Lawrence and trained by copying works by other artists. Etty earned respect at the Royal Academy of Arts for his ability to paint realistic flesh tones, but had little commercial or critical success in his early years in London.

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William Etty, self-portrait, 1823

Etty's Cleopatra's Arrival in Cilicia, painted in 1821, featured numerous nudes and was exhibited to great acclaim. Its success prompted several further depictions of historical scenes with nudes. All but one of the works he exhibited at the Royal Academy in the 1820s contained at least one nude figure, and he acquired a reputation for indecency. Despite this, he was commercially successful and critically acclaimed, and in 1828 was elected a Royal Academician, at the time the highest honour available to an artist. Although he was one of the most respected artists in the country he continued to study at life classes throughout his life, a practice considered inappropriate by his fellow artists. In the 1830s Etty began to branch out into the more lucrative but less respected field of portraiture, and later became the first English painter to paint significant still lifes. He continued to paint both male and female nudes, which caused severe criticism and condemnation from some elements of the press.

An extremely shy man, Etty rarely socialised and never married. From 1824 until his death he lived with his niece Betsy (Elizabeth Etty). Even in London he retained a keen interest in his native York, and was instrumental in the establishment of the town's first art school and the campaign to preserve York city walls. While he never formally converted from his Methodist faith, he was deeply attached to the Roman Catholic Church and was one of the few non-Catholics to attend the 1838 opening of Augustus Pugin's chapel for St Mary's College, Oscott.

Etty was prolific and commercially successful throughout the 1840s, but the quality of his work deteriorated throughout this period. As his health progressively worsened he retired to York in 1848. He died in 1849, shortly after a major retrospective exhibition. In the immediate aftermath of his death his works became highly collectable and sold for large sums. Changing tastes meant his work later fell out of fashion, and imitators soon abandoned his style. By the end of the 19th century the value of all of his works had fallen below their original prices, and outside his native York he remained little known throughout the 20th century. Etty's inclusion in Tate Britain's landmark Exposed: The Victorian Nude exhibition in 2001–02, the high-profile restoration of his The Sirens and Ulysses in 2010 and a major retrospective of his work at the York Art Gallery in 2011–12 led to renewed interest in his work.








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:40

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Venus of Urbino








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:43

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The World Before the Flood (1828)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:44

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Male Nude, with Arms Up-Stretched








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:45

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Etty thought Hero and Leander (1829) one of his best works








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:46

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Andromeda (c. 1830).








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:47

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Candaules, King of Lydia, Shews his Wife by Stealth to Gyges








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:48

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Youth on the Prow, and Pleasure at the Helm (1832)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:49

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Preparing for a Fancy Dress Ball (1835)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:50

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Venus and her Satellites (1835)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:51

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A Family of the Forest








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:52

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The Wrestlers (c. 1840).








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:53

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Musidora








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:54

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Study for The Crochet Worker (1849).








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:55

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Cymon and Iphigenia








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:57

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The Destroying Angel (1832)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:58

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The Combat








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 22:59

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The finished Pandora








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 23:00

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Cleopatra's Arrival in Cilicia (1821)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 23:01

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The Coral Finder (1820)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 23:02

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Miss Mary Arabella Jay (1819)








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 23:02

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Mary, Lady Templeton








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 23:03

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Lady Mary Templetown and Her Eldest Son








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 23:05

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Goddess and Cupid








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PočaljiNaslov: Re: William Etty   Ned 22 Maj - 23:06

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Reclining Figure








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