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 Jean-Léon Gérôme

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PočaljiNaslov: Jean-Léon Gérôme   Jean-Léon Gérôme Sat610Pon 28 Dec - 19:11

Jean-Léon Gérôme (11 May 1824 – 10 January 1904) was a French painter and sculptor in the style now known as Academicism. The range of his oeuvre included historical painting, Greek mythology, Orientalism, portraits and other subjects, bringing the Academic painting tradition to an artistic climax. He is considered one of the most important painters from this academic period, and in addition to being a painter, he was also a teacher with a long list of students.

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Born
10 May 1824
Vesoul, Haute-Saône, France

Died
10 January 1904 (aged 79)
Paris, France

Nationality
French

Education
Paul Delaroche, Charles Gleyre

Known for
Painting, Sculpture

Movement
Orientalism

Jean-Léon Gérôme was born at Vesoul, Haute-Saône. He went to Paris in 1840 where he studied under Paul Delaroche, whom he accompanied to Italy (1843–44). He visited Florence, Rome, the Vatican and Pompeii, but he was more attracted to the world of nature. Taken by a fever, he was forced to return to Paris in 1844. On his return he followed, like many other students of Delaroche, into the atelier of Charles Gleyre and studied there for a brief time. He then attended the Ecole des Beaux-Arts. In 1846 he tried to enter the prestigious Prix de Rome, but failed in the final stage because his figure drawing was inadequate.





The Duel After the Masquerade (ca. 1857–59) depicts a duel after a costume ball in Bois de Boulogne, Paris.[1] The Walters Art Museum.
He tried to improve his skills by painting The Cockfight (1846), an academic exercise depicting a nude young man and a lightly draped young woman with two fighting cocks and in the background the Bay of Naples. He sent this painting to the Salon of 1847, where it gained him a third-class medal. This work was seen as the epitome of the Neo-Grec movement that had formed out of Gleyre's studio (such as Henri-Pierre Picou (1824–1895) and Jean-Louis Hamon), and was championed by the influential French critic Théophile Gautier.

Gérôme abandoned his dream of winning the Prix de Rome and took advantage of his sudden success. His paintings The Virgin, the Infant Jesus and St John (private collection) and Anacreon, Bacchus and Cupid (Musée des Augustins, Toulouse, France) took a second-class medal in 1848. In 1849, he produced the paintings Michelangelo (also called In his studio) (now in private collection) and A portrait of a Lady (Musée Ingres, Montauban).

In 1851, he decorated a vase, later offered by Emperor Napoleon III of France to Prince Albert, now part of the Royal Collection at St. James's Palace, London. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d'Italie, in 1851; Paestum (1852); and An Idyll (1853).
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Phryne before the Areopagus, 1861
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Dancer with Tambourine








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Diogenes (1860)
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Harem baths
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Reception of Le Grand Condé at Versailles (1878)
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Summer Afternoon on a Lake, ca. 1895
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Napoleon in Egypt, ca. 1863, Princeton University Art Museum
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The Death of Caesar (1867), (Walters Art Museum), depicts the assassination in the Theatre of Pompey on the Ides of March
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The Tulip Folly (1882)
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The Cockfight (1846); now in the Musée d'Orsay, Paris
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The Duel After the Masquerade (ca. 1857–59) depicts a duel after a costume ball in Bois de Boulogne, Paris.
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Pollice Verso (1872), which popularized the "thumbs down" gesture. Oil on canvas, Phoenix Art Museum.
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Pygmalion et Galatée (1890), Metropolitan Museum of Art, New York
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Après le bain
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Ave Caesar, 1859, Yale University Art Gallery, USA
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Le roi Candaule, 1859, Museo de Arte, Ponce, Puerto Rico.
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Marchand de tapis au Caire, 1887, Minneapolis Institute of Arts.
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Bain turc ou Bain Maure, 1870, Museum of Fine Arts, Boston.
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Derviches tourneurs, 1895, collection privée, Houston, Texas, USA
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Réception des ambassadeurs du Siam à Fontainebleau, 1864. Musée national du château de Fontainebleau.
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